Reviews

Camera preview: Canon EOS-1Ds Mark III DSLR

On the same day that it released information about the upcoming EOS 40D DSLR, Canon dropped a bombshell. The much-expected 1Ds Mark III is ready, and will begin shipping in November. We all knew it was coming, but what we didn’t expect was the medium format-like resolution: a whopping 21.1 megapixels!

Canon EOS-1Ds Mark III (front)

Here are the specs where the 1Ds Mark III differs from the 1Ds Mark II:

  • Resolution: 21.1 megapixels vs. 16.7 megapixels
  • Processing engine: DIGIC III vs. DIGIC II
  • AF: re-designed 45-point vs. previous-generation 45-point AF (there were some issues with this new AF system in the 1D Mark III, and I hope they’ve been addressed by now)
  • Color depth: 14-bit vs. 12-bit
  • Live View
  • Integrated sensor cleaning
  • WB: 12 vs. 10 settings
  • Viewfinder magnification: 0.76x vs. 0.70x
  • Exposure control: 63-zone vs. 21-zone metering
  • Drive speed: 5 fps vs. 4 fps
  • LCD monitor: 3 inches vs. 2 inches
  • Shutter durability: 300,000 cycles vs. 100,000 cycles
  • Battery: lithium-ion (LP-E4) vs. Ni-MH (NP-E3)
  • Battery life: better, but no data provided vs. 800-1200 shots/battery/charge with the 1Ds Mark II
  • Weight, body only: 1,205 grams vs. 1215 grams

As Canon themselves point out, they wanted to venture into the realm of high-fashion and commercial studio photography with the new 1Ds. Traditionally, medium-format cameras dominated those markets. Besides the wonderful resolution, the 1Ds would bring two other things: portability and affordability. Medium-format cameras are more expensive, and they’re usually heavier. Let’s not forget the 1Ds also goes up to 1,600 ISO, which is unheard of in medium format cameras with digital backs. The ISO range there is usually 100-400, with the occasional 800 seen in some models. The additional ISO range should provide those photographers with more creative uses of light and more flexibility in various conditions.

The camera uses the new DIGIC III image processor introduced with the 1D Mark III earlier this year. But it uses two of them, working in parallel. There’s a lot of data crunching to be done when the resolution is 21.1 megapixels and the frame rate is 5 fps! The CMOS sensor reads out to both processors through eight channels, ensuring fast signal transfers.

Canon EOS-1Ds Mark III (back)

The 1Ds also features a new 14-bit analog-to-digital conversion process, which means that it can recognize 16,384 colors per channel — four times the number of colors recognized by 12-bit cameras like the 1Ds Mark II or the 5D.

In addition to using CF type-I and II cards, the camera is also compatible with the UDMA specification, which doubles the data transfer speed of a normal CF card when used with UDMA-compliant cards.

The sensitivity of the new AF system’s sensor has been doubled to EV-1, for greater accuracy in low light. The AF point of focus can also be micro-adjusted based on the type of lens used, and the focus-tracking sensitivity can also be finely adjusted.

Another really nice feature is Live View, which works in much the same way as on the 40D — see my review of it for those details. The Live View function also works with the EOS Utility software, which means you can see just what the camera sees through your computer’s monitor, and control it remotely for studio sessions.

The EOS Integrated Cleaning System shakes off dust from the low-pass plate installed in front of the sensor with ultrasonic vibrations when the camera is turned on or off. A special adhesive collar installed around the sensor collects the dust and holds it there.

Finally, comprehensive weatherproofing is present at 76 locations on the camera, providing protection and allowing the use of the camera in demanding conditions.

The camera will start shipping in November and retail for $7,999. I expect the street price to stick pretty close to that for at least a few months after the launch.

Canon EOS-1Ds Mark III (side)

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Reviews

Camera preview: Canon EOS 40D DSLR

On August 20, just three days ago, Canon announced the new EOS 40D DSLR, the successor to the very good EOS 30D camera. The camera will begin selling in September, and Amazon has already started taking pre-orders. After reviewing the specs and photos, I am impressed. Canon has made the 40D better than the 30D exactly where it mattered, and more.

Canon EOS 40D (front)

The 40D is a bargain considering its features. Let me run through the important ones:

  • 10.1 megapixel CMOS imaging sensor, capable of up to 3200 ISO natively
  • DIGIC III image processor
  • Redesigned AF
  • 6.5 fps continuous shooting capability up to 75 large/fine JPEG or 17 RAW files
  • 3-inch LCD with a higher brightness level and broader color gamut than the 30D
  • Upgraded viewfinder: 0.95x magnification, 264 degrees viewing angle and 22mm eye point)
  • Magnesium-alloy body with dust and weather resistant construction, unlike the 30D
  • Live View (yes, this isn’t a typo)
  • Integrated sensor cleaning

Although the sensor has the same resolution as the Rebel XTi, it is not the same sensor. The 40D’s sensor has microlenses over each pixel to enable increased sensitivity up to 3200 ISO. More importantly, the sensor can recognize four times the number of colors recognized by the 30D, due to its 14-bit color depth (wow!). In addition to this, the 40D also features Highlight Tone Priority and High ISO Noise Reduction functions as the 1D Mark III professional DSLR.

The amazing frame-rate, which is more than the 5 fps rate of the 30D, is achieved through the new DIGIC III processor, DDR SDRAM memory buffering, four-channel per line sensor readout, and two separate motors for shutter and mirror operation.

The on-screen menu now has the same tabbed format as the 1D Mark III DSLR. The viewing angle had to be decreased from 170 to 140 degrees, in order to make the screen more viewable during bright daylight — this is in addition to the improvements cited for the LCD in the bullet points above.

Canon EOS 40D (back)

AF has been re-designed to produce greater precision at all focal points, up to f/5.6, and increased precision for center AF on lenses at or faster than f/2.8. AF calculations are 30% faster on the 40D than the 30D. Photographers can also opt for two focusing screens: a grid-type screen that makes it easy to compose the shots, or a matte screen re-designed for AF precision.

Not many other reviewers have spotted this, but the 40D offers Live View! Yes, indeed, you can now compose your shots using either the viewfinder or the LCD screen. A quick aside: Olympus was the first company to use Live View on their prosumer DSLRs.

Usually, there’s increased shutter lag with Live View, since the mirror has to swing back down to block out the light, then back up to allow for the proper exposure. The shutter lag with the 40D is said to be minimal because the mirror stays up and only the shutter opens when you click the shutter button. This also helps reduce noise and vibration. Oh, did I mention that you can zoom in on the LCD screen to make sure your focusing is tack sharp during Live View?

The Live View function also works with the EOS Utility software, which means you can see just what the camera sees on your computer’s monitor, and control it remotely for studio sessions.

The EOS Integrated Cleaning System shakes off dust from the low-pass plate installed in front of the sensor with ultrasonic vibrations when the camera is turned on or off. A special adhesive collar installed around the sensor collects the dust and holds it there.

There’s a redesigned vertical grip/battery holder, with weather and dust resistance built-in, and a new Wireless File Transmitter (WFT-E3A) has also been introduced. The battery life’s been improved over the 30D, and my guess is you’ll be able to get about 1,500 shots/battery/charge. That means about 3,000 shots altogether with the vertical grip in place.

You can buy the 40D by itself, or with the new EF-S 18-55mm f/3.5-5.6 IS Standard Zoom (available in October), or the EF 28-135mm f/3.5-5.6 IS USM Zoom (as pictured below).

Canon EOS 40D (side)

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