We recently purchased an ornate Baroque wall clock which was working perfectly fine at the store. When we got it home and put it on the wall, we discovered that the crystalline chime it makes each half-hour had disappeared. I assumed that it was a minor issue, so I opened it up carefully, after which I discovered that the hammer which struck the bell inside the mechanism had gotten stuck during the transport. After I got it unstuck, the clock started chiming again. Not an earth-shattering discovery but we were happy. Here’s a look at the process:
After working with this setup for over a year, I wanted to share it with you, having gained full knowledge of its advantages and disadvantages. It is what works for me at this time, in my particular situation, but it may help you as well, if like me, you make your own videos and don’t have a team working behind the scenes.
This 3-4 camera setup is what I use to film my wife’s shows: Ligia’s Kitchen and De Vorbă cu Ligia. For my own videos I use a more basic 1-2 camera setup, since I have to be both in front and behind the camera.
Let me state the advantage and disadvantages first and then I’ll give you the exact list of equipment.
- The big iPad displays allow for proper framing, focusing and exposure control. I always disliked those tiny screens on DSLRs and video cameras.
- The iPads have big batteries (except for the iPod Touch) that allow for hours of filming.
- The featherweight iPod Touch can be mounted in all sorts of unusual spots (including overhead).
- Live viewing and control of the video feeds (things such as focus, exposure, white balance), including instantaneous switching between the feeds, from a master iPad. One person can manage all of the cameras at once. This setup allows up to four angles at a time.
- Lightweight, small and highly portable setup.
- With the aid of dedicated apps, you can get very good control of the video quality and look, right in the camera, without having to resort to a lot of post-editing.
- Video quality isn’t on par with what you can obtain from a good DSLR with a good lens or better yet, from a dedicated, professional video camera. The dynamic range isn’t there, the noise levels are fairly high, the focus isn’t crisp enough. What you’ll need to do to compensate is to make sure your lighting is as good as you can get it.
- The battery life of the iPod Touch is terrible. Have an external power source (plug or power bank) readily available if you need to record more than 30-45 minutes of video.
- Also, the iPod Touch has a much slower processor than the iPad, so don’t attempt to use it as a master controller or for video editing. Use it only as a slave camera and be prepared to wait for good, long times when it updates itself with new Apple software and apps.
- The on-camera (iPad Air and iPod Touch) microphones don’t offer good sound. The iPad’s microphone is passable from a close distance when nothing else is available, but that of the iPod Touch sounds tinny, no matter the situation. Use shotgun, dedicated or lavalier microphones for better sound.
- You’ll need good WiFi signal in the room where you’re recording video, if you’re going to want to manage the video feeds from each iPad camera on a master iPad.
The equipment list:
- 4 iPad Air units: mine are 128 GB first-generation models, I got a great deal on them at B&H Photo about 1 ½ years ago, I think they were old stock and they were making room for the 2nd generation iPads. I went for the largest capacity available because I wanted to be able to record lots of video without needing to stop and download. It just so happened that they also had 4G LTE, which was a nice plus. It was the right decision.
- 1 iPod Touch unit: I got this because it was small and I wanted to use it for overhead angles, where a heavy camera might fall on my head. I didn’t want to use my iPhone, just in case it ever fell from its rigging. (An iPod is cheaper to replace than an iPhone.) It was the right decision. The short battery life and slow performance were unexpected and disappointing, but it does its job when needed.
- 5 iOgrapher cases for the iPads and iPod Touch: check out their website, they keep working on their cases and have developed new ones to fit the new gadgets from Apple. I love their cases because they work both handheld (they have two big handles on each side) or mounted on a tripod. And they have mounts for external microphones and lights, right on top where they’re needed.
- 5-6 iOgrapher lenses: I use a mix of Telephoto and Wide Angle lenses made for the iOgrapher cases, they use a 37 mm mount. They’re not pro-level lenses and they have a bit of distortion and chromatic aberration around the edges, but they’ll do the job.
- 2 Rode smartLav+ lavalier microphones. This is where our iPhones are useful. We put them on Airplane mode, plug these mics into them, start up the Voice Memos app and slide them in our pockets. We get to record great audio with little fuss.
- The following iPad/iPod Touch/iPhone apps: the built-in Camera app that comes with iOS, RecoLive MultiCam and Filmic Pro.
- 1 or more video lights. There are a ton of options here. We use this one. Its advantage is that it comes with interchangeable color filters that shift the temperature of the light.
- 2 or more softboxes mounted on C-stands for each set.
- 1 hair light such as this one. I mounted it on a C-stand that I extended to its maximum height and lateral length. You may need to use some sandbags to stabilize the stand.
- We also use the room’s own lighting for effect and illumination. I tend to use cold temperatures for the studio lights (white CFLs and LEDs) and warm temperatures for the room lights. I know people say you shouldn’t mix light colors when you’re shooting video or photos, but I like it. When they’re mixed the right way, they give me a “live” white balance, an in-studio “look” for my video, which is better than doing it in post.
If you have any questions or if I’ve forgotten to mention anything, let me know in the comments. I hope this helps you!
I’ve always been curious about the two holes on ungrounded NEMA 1-15 plugs (Type A). There they were, one hole on each blade — what were they for?
When I had to make an electrical connection inside a junction box a few days ago, to power up a little adapter for a network camera, I thought: why not get some stubby hard drive screws (short machine screws used to afix HDs to drive bays), crimp a couple of ring terminals onto the hot and neutral wires and see if I could screw the terminals onto the adapter blades with the hard drive screws? There are no screw threads inside the blade holes, but if you turn the screws a little harder, they’re just the right width that they’ll make their own way through and the whole thing will be quite snug.
Of course, the job isn’t complete without isolating both connections separately with electrical tape, or even better, with heat-shrink sleeves, but that’s easily enough done. The last step involves placing the whole thing inside an IP 56 junction box, for extra safety.
I think it’s a fun and novel way to get power to these little adapters. What do you think?
In late 2012 and right after New Year’s Eve this year, in 2015, I experienced two data loss events, both of which happened on my Drobo storage devices. I’ll write a separate post detailing my experiences in recent years with my Drobos but for now, I wanted to let you know how I recovered my files.
First, what do I mean by “catastrophic data loss”? Simple: the loss of terabytes of my very important data: photos, videos, documents. Among other things, I am a photographer and a filmmaker. Losing my photos and my videos is a catastrophic event, as my libraries and archives include both personal and professional photos and videos. If I were to lose these things, I’d lose both treasured memories and part of my livelihood.
Here I should also point out that all of us are at risk of data loss. Most of our stuff is digital these days (or going that way). What would you do if you’d lose all your photos and videos? Think about that question and put a plan of action in place. Follow through with it and make sure you’re covered.
Now let me get the bad part out of the way: in 2012, I lost somewhere between 25,000 – 30,000 photos and I still haven’t counted how many videos, but it was a lot, probably about 20% of my video library. This is stuff I’ll never get back. It’s gone. Period. Who’s to blame? The Drobo. More on that in a later post.
Earlier this year, I could have lost an untold number of files once more but I didn’t. Why? Partially because the Drobo has improved in the way it’s handling errors but mostly because I had access to good software.
Here are the three methods of data recovery I’ll talk about below:
- Data Rescue: it’s a piece of software that lets you mount bad drives and get your files backed up somewhere else. This let me copy all of the files it could read off the Drobo, although a lot of them ended up being corrupted, as detailed above.
- Jeffrey Friedl’s Preview-Cache Image Extraction: this is a Lightroom plugin that allowed me to extract image previews for the lost images directly from my Lightroom catalogs. It’s a niche plugin but it’s super useful. You don’t realize just how good it is until you have to use it and then you thank the heavens that it exists.
- Flickr and YouTube: I was able to download images and videos I’d published to Flickr and YouTube at their maximum upload resolution. They may not have been my digital negatives or my raw video files, which were lost forever, but at least I had something left. This is why I’ve started to upload to both Flickr and YouTube at the best resolution and quality possible, in case something like this happens again.
If you’re pressed for time, feel free to stop here. Make sure you use the methods outlined above and you’ll fare much better if you should lose your data, particularly if you’re working in visual media like I am. If you want the details, read on.
Back in 2012, I was able to mount the corrupted Drobo volume using Data Rescue 3 and recover the bulk of my files. As mentioned above, Data Rescue was able to see all of the files, including the corrupted ones and it let me copy them off, but 25,000 – 30,000 of a total of about 130,000 photographs and I don’t know how many videos were corrupted and couldn’t be read by either Lightroom, Photoshop, Final Cut Pro or Quicktime, so they were of no use to me. They were gone. These were original RAW, DNG, TIF and JPG files from my cameras and SD and HD video files (MP4, MOV and AVI) from my video cameras. I also lost a great deal of family videos and films and cartoons I’d painstakingly digitized from VHS tapes and DVDs I’d purchased, as well as shows and films I’d recorded from TV using a DVR and then edited and stored on the Drobo. In most cases, the files just wouldn’t open up at all. In other cases, I could open them but half or more than half of the image was gone, as you see below.
This is one of my wedding photographs. Most of my wedding photographs look like this or worse…
I could give you many more examples but the point is, they were irreversibly damaged when the Drobo decided to go kaput.
I don’t know what I would have done without Data Rescue. Because I bought it and used it, I was able to save 70-80% of my data after my 1st catastrophic data loss event and 100% of my data during my recent data loss event.
You may say it’s not data loss and it’s not catastrophic if I was able to recover the data. To that I say that I’d have recovered 0% of my data in both cases without Data Rescue and 0% of over 8 TB of data is damned catastrophic in my book.
Jeffrey Friedl’s Preview-Cache Image Extraction
This super-useful and little-known plugin for Lightroom allows you to extract JPG files from the preview images stored in your Lightroom catalogs. That means that even if you lose the original raw files, you can still have the JPGs and that’s a huge thing.
There’s one caveat though: you need to have allowed Lightroom to keep the previews and you also need to have allowed Lightroom to store high-quality previews. I won’t get into the exact terminology here, there are plenty of tutorials on the internet that will teach you how to optimize those settings. Suffice it to say that I now have my catalogs set to create 1:1 previews and to never delete them, just in case I ever experience data loss again.
I didn’t do this in the past, which meant that I was only able to recover thumbnails or smaller JPGs for most of my corrupted photos, but this was still better than nothing. I have precious photos of my wife that are thumbnail-sized, but at least I have those, I was able to get something back from the gaping maw of data loss.
Flickr and YouTube
These two websites aren’t just for sharing photos and videos. They also let you download your originals. Well, Flickr lets you download your originals. YouTube only lets you download MP4 files of your videos but hey, it’s wonderful anyway.
By the way, the Flickr mobile app and the Google Plus mobile app (for iOS and Android) both let you automatically back up the photos taken with that phone to your respective accounts on both services. They’re set to private by default so only you see them. That’s really nice.
This is why I now upload all my published photos to Flickr at their highest resolution and quality and why I also upload all my published videos to YouTube at their highest resolution and quality. In case I ever experience data loss in the future, I’ll have part of my photo and video library on these sites and I’ll be able to download it. And this is also why I no longer put watermarks on my photos. It’s no good to be able to download your own original and have a watermark on it. You now either have to crop it or Photoshop it. I have no time for that sort of thing. I’d rather deal with more productive stuff.
Of course, JPGs aren’t DNGs or RAW files but if they’re the highest resolution, dpi and quality available, they’ll do just fine. And an edited 1080p MP4 file isn’t the same thing as the original Final Cut Pro event and project along with the original video and audio files that were used to create it, but if you don’t have those anymore, you’ll be very thankful to have the MP4.
Now, for some less-than-obvious stuff…
But Raoul, why don’t you back up your stuff? That would solve all your problems!
I do back up my stuff. I’ve been using CrashPlan for years and I also use Time Machine to back up the files on my Mac (but not all my files are on my Mac, they don’t all fit on it). Unfortunately, during my first data loss event in 2012, I was re-structuring my backup sets and the Drobo couldn’t have picked a worst time to fail. If I had relied on my backups, I’d have recovered only about 25% of my data.
This year, I was doing a little better, although I was also re-structuring my backup sets. Somehow these things seem to know when to fail just to cause more headaches (my warranty had also just run out about 3-4 days before it failed). That brought to mind images of planned obsolescence…
This time I’d have recovered about 80% of my data from the backups. Not ideal but much better than before. I can go into my backup strategy at a later time, but it’s much more difficult for me to back up all my stuff than it is for you, simply because I have a ton of data and I always run into bandwidth issues. For example, one of my backup jobs has to keep up with 8.1 TB of data. The other, with 6 TB of data. And I don’t add small amounts of data to those backup sets, I add gigabytes, lots of gigabytes, whenever I have a studio shoot or take a trip, whether it be photos or videos.
But Raoul, why do you keep using the Drobo when it keeps failing?
The basic premise of a Drobo, that of using SATA drives of different sizes, from different manufacturers in a single array that can show up as a single 16 TB volume on my Mac, and also allow for one (or two) of those drives to fail while keeping the data safe, still cannot be beaten by anything else on the market. If you know of anything else that meets those criteria, let me know. The Drobo has its drawbacks and data corruption is one of them. Drobos also brick themselves quite a lot, just search for that phrase and you’ll see what I mean. They’re not to be relied upon but they provide the basic benefit outlined above.
But Raoul, you could have used photo recovery software to get all those tens of thousands of photos back! Why didn’t you?
Back in 2012, I knew of no such software. Now I believe there are several options available and some allow for batch processing of corrupted photos. I haven’t tried any of them yet so I can’t tell you anthing about them. I doubt that any software can do much when half of a photo’s pixels are missing. Besides, I didn’t need to use them after my latest data loss, I was able to get it all back with Data Rescue.
But Raoul, you could have sent your Drobo in to a professional data recovery service. Couldn’t they have done a much better job?
Maybe. I did get a couple of quotes. They ran anywhere from $3,000 – over $10,000 and they couldn’t guarantee they’d get all my data back. What also made things more complicated and expensive was shipping my drives to the US, where these companies were located. I live abroad and the customs are such a headache I try to avoid dealing with them whenever I can.
Here’s how you can fold your shirts like a pro and save space in your closet while you’re at it. This way of folding them doesn’t cause creases, allowing you to stack them nicely on shelves in your closet or in your travel bag.
I don’t know about you, but I don’t enjoy lugging around large garment bags when traveling. I’d much rather have a rolling suitcase and be done with it. While I haven’t yet found a way to fold suits so I can do away with the garment bag entirely, at least I don’t have to put my shirts in it, meaning it’s lighter and easier to carry.
This video is part of The Elegant Gentleman series.
You may remember my post on the sturdy king-size bed frame a while back? It’s inspired many people to build their own frames at home, saving $$$, avoiding the purchase of cheaply made furniture and learning about carpentry in the process.
This time, Jérôme Tirolien from France wrote to thank me for the article and he also sent pictures, which he graciously agreed to let me post here:
“I want to tell you THANK YOU for your article ‘Making the custom bed frame’. I based on it to build mine. In March 2011 I asked which size of beam you used.
So for now I almost finished it. I have to build the drawers. In attached files, some pics.”
Do you want to know how to get great hair and keep it that way? Tired of bad hair days, of dandruff, of itchy scalp, of putting up with what you think is the “norm” for your hair? Have a look at this video I made, where I’ll give you detailed advice on the matter and I promise you that you’ll gain valuable insight that will pay off down the road.
Here’s what I talk about in the video:
- Hair care products
I truly hope this helps you! Enjoy!