Reviews

A look at the Samsung T260HD HDTV widescreen monitor

I tried, unsuccessfully, to use an HDTV as my main computer display in the past. Although the specs of that Sony HDTV were superb, its brightness and contrast levels were made for a TV, not a computer display, and it gave me headaches when I stood close to it, as I would when I’d work at my computer. Things have a way of working out though. One of the commenters on my HDTV post, Adam Juntunen, pointed me to something that might just work for my needs.

Samsung has come up with a product that is made to work as both a display and an HDTV. It’s the first such product that I’ve heard of: the T260HD, a 26″ widescreen computer display and HDTV. The T260HD is part of a line-up of four monitors which includes the T200HD (20″), T220HD (22″) and the T240HD (24″).

What sets the T260HD apart for me is the fact that it was made to fulfill both functions from the factory. Although I haven’t used it (yet), my hope is that the Samsung engineers accounted for the difference in display characteristics that is needed when one uses it as a computer display vs. a TV. What is heartening for me is that it’s listed among the computer displays, not the HDTVs, on the Samsung website, which means it’s really more of a computer display than an HDTV, which is just what I need.

The design makes this display stand out. The enclosure is made of glossy black plastic, and it looks as if there’s a clear panel of glass set over the front of the display, which should make it easy to clean. A hint of maroon color marks the bottom of the enclosure, right below the logo, giving it a distinctive look. I do hope though that the glossy black plastic doesn’t scuff easily. Other Samsung TVs do scuff over time, which means that as you dust them, small hair-width scratches appear on the plastic, marring its glow.

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The specs listed on the Samsung website are thin on the details, and I can’t make out whether its color depth is 8-bit, 10-bit or 12-bit. My guess, given its price, is that it’s 8-bit or 10-bit — probably the former, not the latter. Color depth in a display is a very important specification, because if you work with photos, like I do, and your DSLR captures 12-bit or 14-bit color images, you won’t be able to edit them competently on a display whose color depth capabilities are much lower. A 6-bit display, for example, like many laptops have, would be fairly useless to you, because it just won’t reproduce the color tones faithfully.

Let’s have a look at some of the salient features of this display:

  • Full HDTV monitor: that’s good, and also to be expected since it’s a computer display as well, and its resolution is 1900 x 1200 pixels.
  • Dolby Digital Surround sound: it has invisible speakers built in, and they’re rated at 3 W each; I’ve heard these types of speakers on other Samsung products, and they’re pretty good — certainly a lot better than most monitor speakers.
  • Dual HDMI, DVI and VGA inputs: that’s impressive for a 26″ display. I see that Samsung didn’t skimp and even included a SCART connector for the European countries. I love that.
  • Low power consumption: one spec says it uses 0.3W in Standby mode, yet another says it uses < 2W in that same mode. At any rate, it only uses 70 W max, and that’s great for a 26″ display.
  • 10,000:1 dynamic contrast ratio: I think this spec is trumped up, as I see it on a lot of other, cheaper displays and TVs. I have no idea what it means. Supposedly, the increased contrast between light and dark helps you see things better. I’ll be the judge of that when I try it in person. I see that the Apple Cinema Displays are listed at a 700:1 contrast ratio, which I think is a much more reasonable figure.
  • 5 ms response time: this is a little sluggish given that most displays in that size are at 3 ms. Still, it’s better than the Apple Cinema Displays, which are still listed at 14 ms. I think 5 ms is sufficient for most movies and video games, but then I’m not into the violent, fast-paced video games.
  • 300 cd/m² brightness: this isn’t as bright as other displays in the same sizes, which are at 400-700 cd/m², but you know what, I’d rather not have headaches caused by too much brightness, so this should be fine for me.

What I’ve seen so far of this monitor has certainly whet my appetite, and I’d love to try it out for myself. If and when I do, I’ll let you know how it works out.

The Samsung T260HD is available from Amazon and B&H Photo.

Photos used courtesy of Samsung.

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How To

Discerning among LCD monitors

I’ve been looking at various LCD monitors lately, because I’d like to get one for my laptop. Truth be told, I’m more confused than when I started. There’s a dizzying array of prices among various brands, in the same size display, and not a whole lot of explanation as to why that is. Sure, every company touts their higher contrast ratio, higher brightness, more resolution, more inputs, etc., but that still doesn’t explain why the prices differ so much.

I’m looking at 20-22″ LCD monitors, and in that range, I’ve managed to find monitors in three price groups:

  • Around $250, I can buy this Sceptre or or X2gen (brands I haven’t heard of). I can also find similar prices from brands like ViewSonic, Samsung, Dell and HP.
  • From $600-900, I can get the 20″ or 23″ Apple Cinema Displays. The thing is, other than the distinctive design, the specs are actually less impressive than those of the much less expensive monitors in the first group.
  • Then, of course, there are brands like LaCie, with their professional LCD displays that start [*cough*] around $1,800 for the sizes I’m interested in.

So I did a lot of searching, and found out that manufacturers can fake the contrast and brightness measurements, so even though everyone touts their higher specs, you can’t trust them. Many of the monitors also don’t list a measurement that’s harder to fake, the gray-to-gray response time. I wanted to compare apples to Apples, if you will.

After a little more spec comparison, I found that the top of the line LaCie monitors list a spec that no one else seems to list, and that is the “gamma correction”. For example, their 321 LCD has 12-bit gamma correction. Less expensive models have 10-bit gamma correction. And that got me thinking: if, at least for LaCie, the price is proportional to the gamma correction bit depth, a higher spec there might be a good thing. But the less expensive monitors didn’t list it, and Apple didn’t list it either. What was I to do?

I gave Apple a call. After about 15 minutes of alternate talking and holding on the line for a sales rep while he consulted with the engineers, I got nothing but smoke and mirrors. Not that I think it was intended. I just think the rep didn’t have the info. He didn’t know what gamma correction was, and the bit depth of the gamma correction on Apple’s displays isn’t listed anywhere in the specs. The person he spoke with in engineering either didn’t know this or didn’t feel like sharing that bit of data. So the rep kept coming back to me with 16.7 million colors, which works out to 24-bit color.

I kept thinking, that can’t be right! Here LaCie is charging over $1,800 dollars for 12-bit gamma correction and Apple claims 24-bit on that spec at less than half that price? They would be an absolute bargain if that were true! But it’s not, at least not for that spec. I don’t doubt the Apple displays can show 24-bit color overall. But I still don’t know whether their gamma correction engine outputs 8-bit (the normal spec), 10-bit (the higher end), or 12-bit (the really high end), and this determines how well that 24-bit color gets displayed. This is important because the higher the bit depth, the smoother the color is. I’m a photographer, and I shoot in RAW. The files I get are either 12-bit or 16-bit color, and I can see some dithering in color tones when I look at the photos on my laptop’s screen. That means that even though my video card can display 32-bit color, my laptop’s effective display is less than 16-bit.

I have a feeling that given their price range, the Apple Cinema Displays are either 8-bit or 10-bit when it comes to gamma correction. If they’re 8-bit, then they’re overpriced given their specs, and they’re charging hundreds more based purely on design. If they’re 10-bit, that’s interesting, and it warrants a closer look.

So, as you can see, I’ve gotten nowhere. I’d love to have a reason to buy an Apple Cinema Display, but it’s got to be a good reason, based on facts, not sales fluff. I like Apple but I’m not a fanboy. At this point in time, I can’t see why I should spend more than $1,000 on an external monitor, so that rules out the LaCie LCDs and the other high end displays. That means if Apple can’t offer me a compelling reason for their higher price, I’ll go with one of the less expensive monitors and see how things work out. If and when I do, I’ll blog about it, so stay tuned. And by all means, if you’ve got some ideas about this, do let me know.

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