Reviews

Amazon Kindle now comes with international wireless coverage

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The newly redesigned Kindle from Amazon now comes with both US and International wireless coverage built right in. This means you can use it as you travel in most of the civilized world and not have to worry about internet access. It’ll automatically find a wireless network it can use, you won’t pay anything extra, and it’ll let you browse and get books from Amazon, or deliver your daily newspaper and blog updates to you.

I checked to see if there was coverage in Romania, where I am at the moment, and sure enough, there is. Pretty cool.

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Having seen how clunky the 1st generation Kindle looked, I’m glad to see Amazon took the time to re-design it and to build in extra features like this one. Sure, it helps them too, since they get to sell more stuff to you, but I know just how annoying it can be to travel internationally and have to deal with different cellular plans. They put in the work needed to make sure the Kindle would just work wherever there was a serious wireless company available to provide coverage, and that’s definitely not something that happens overnight.

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Reviews

Camera preview: Canon EOS-1D Mark IV DSLR

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The Canon EOS-1D Mark IV pro DSLR was officially announced by Canon today, October 20, 2009. The specs are really good and they show Canon’s been hard at work on a solid response to Nikon’s latest DSLRs.

Many photographers were disappointed with Canon because of their 2008-2009 DSLR product releases, which didn’t seem to keep up with the competition and fell short in many areas of common interest, such as auto-focus, high ISO performance and image quality. I’m glad to see Canon listened to their customers’ concerns and put out a camera that offers what people want to see.

Let’s have a look at what sets this camera apart. The EOS-1D Mark IV has:

  • A 16-megapixel Canon CMOS sensor
  • Dual DIGIC 4 Imaging Processors
  • 14-bit A/D data conversion
  • 10 frames-per-second (fps)
  • The widest ISO range Canon has produced to date (50 to 102,400)
  • 1080p Full High-Definition video capture at selectable frame rates
  • A new 45-point auto-focus system with 39 high-precision cross-type focusing points

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New autofocus system

Given the auto-focus problems with the 5D Mark II and other high-end cameras like the 1D Mark III and 1D-s Mark III, I for one am very glad Canon put out a new AF system. The newly redesigned AF system…

  • Can track fast moving subjects, such as athletes or wildlife accurately, even when shooting at full 10 fps bursts
  • Can detect subjects much better than the previous AF system
  • Can focus accurately with the new AI Servo II AF predictive focusing algorithm
  • Has twice as many cross-type focusing points as the EOS-1D Mark III
  • New AF sensor construction that improves performance in low light and with low contrast subjects

Not having used the camera yet, I can’t vouch for the accuracy and speed of the new AF system, but it shouldn’t be long before those who’ve had the chance to use the camera in real-world scenarios chime in with the results.

New 16.1 M CMOS sensor

I like Canon’s new 16.1-Megapixel CMOS sensor. I’m glad to see they focused on image quality and low light performance, not megapixels. Don’t get me wrong, extra resolution is always good, but gratuitous resolution is useless unless the resulting images prove their quality when viewed 1:1.

The sensor has improved photodiode construction to enhance dynamic range, and gapless microlenses that are positioned closer to the photodiodes for improved light gathering efficiency. The transmissive quality of the color filter array has been enhanced to improve sensitivity. Canon has also upgraded the sensor circuitry to improve noise reduction before the image data is exported from the CMOS sensor to the rest of the image processing chain.

In order to process all the extra raw data from the sensor at up to 10 fps, Canon put two Dual DIGIC 4 Image Processors inside. The 1D Mark IV has approximately six times the processing power of DIGIC III, for full 14-bit A/D conversion at 10 fps.

Full HD video capture

I’m also glad to see that Canon has put 1080p HD video on this camera, which means that for them, HD video is here to stay on all their DSLRs. It really is a new era for HD video when it becomes a standard feature on professional DSLRs; wonderful things are in store for those interested in blending photography with videography.

The 1D Mark IV has full HD capture and full manual exposure control, plus selectable frame rates. Its new APS-H image sensor is similar in size to a Super 35mm motion picture film frame. The camera allows for three video recording resolutions…

  • 1080p Full HD, 16:9
  • 720p HD, 16:9
  • 640×480 SD, 4:3

… and multiple selectable frame rates…

  • Full HD at 1920 x 1080 in selectable frame rates of 24p (23.976), 25p, or 30p (29.97)
  • 720p HD or SD video recording at either 50p or 60p (59.94)

SD video can be recorded in either NTSC or PAL standards. Sound is recorded either through the internal monaural microphone or via optional external microphones connected to the stereo microphone input.

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Other good features are:

  • Auto Lighting Optimizer (ALO) system. When enabled, Canon’s ALO automatically adjusts the image for optimal brightness and contrast on the fly during in-camera image processing, reducing clipped highlights while keeping shadowed areas as clear and detailed as they actually appear. Canon says that “demanding professional photographers who tested ALO clearly stated that this one feature will reduce their post-production image optimization process by more than 75 percent”. It’ll be interesting to see what others will say about this.
  • Highlight Tone Priority, which takes maximum advantage of the camera’s extensive dynamic range to preserve detail in highlight areas of the image.
  • Improved white balance algorithm making colors more accurate when shooting under low color temperature light sources such as household tungsten lamps.
  • Peripheral Illumination Correction function, which corrects darkening that can occur in the corners of images with most lenses when used at their largest apertures. When activated, it is automatically applied to JPEG images and video clips as they are shot. For RAW images, it can be applied in DPP software. Personally, I like the vignetting effect that occurs with some lenses, so I don’t really plan on using this very much.
  • A large, 3-inch Clear View II LCD screen with 920,000 dot/VGA resolution (finally) with a wide 160-degree viewing angle for enhanced clarity and more precise color when reviewing images and shooting video.
  • In-camera copyright information feature (hooray) helps professionals secure control over images by setting copyright data directly into the camera and appending that information to each image file in the Exif metadata.
  • A fluorine coating on the Low Pass Filter to further repel dust and enhance the EOS Integrated Cleaning System (less dust spots is always a good thing).

Finally, the 1D Mark IV’s body, chassis and lens mount are completely weather-resistant and 76 gaskets and seals surround all buttons and seams. The body covers and internal chassis, including the mirror box, are constructed with magnesium-alloy, and the lens mount is constructed with stainless steel. When used with Canon’s Speedlite 580EX II and/or most current L-series lenses, the entire camera system remains fully weather resistant.

Comparing this camera with the Nikon D3s, which has similar specs but retails for about $100 more, I have to ask, what makes the Nikon DSLR better? Other than niceties like better exposure compensation control (±5 EV vs. ±3 EV) and more physical buttons for manipulating the settings, this Canon matches or bests the Nikon on all major specs, like fps (10 vs. 9), ISO (same), resolution (16 vs. 12) and HD video (1080p vs. 720p).

The new WFT-E2 II A wireless file transmitter, available exclusively for the EOS-1D Mark IV Digital SLR camera, is quite interesting in its capabilities. It offers connectivity through IEEE802.11a/b/g and Ethernet. The new Camera Linking feature allows a single photographer to simultaneously fire up to 10 cameras remotely. The updated WFT Server mode lets you remotely use Live View, control settings, and fire the EOS-1D Mark IV over the internet from anywhere in the world using a standard Web browser or many Web-enabled smart phones. Additionally, geotagging is now possible via Bluetooth, using compatible GPS devices to append coordinate data to the images. Given that the previous wireless transmitter, WFT-E2A, costs $1,200, you can be sure this new one will cost a bundle, but for those who need it and can afford it, I’m pretty sure it’ll do a good job.

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The Canon EOS-1D Mark IV Digital SLR camera is scheduled to be delivered to U.S. dealers in late December, and will be sold in a body-only configuration at an estimated retail price of $4,999. Final pricing and availability for the Canon WFT-E2 II A wireless file transmitter will be available later this year.

Full specs for the camera are available here. Demo videos produced by Canon specifically for this camera are available here. There’s a section on the camera, with more information, at the Canon Digital Learning Center.

You can buy the Canon EOS-1D Mark IV from Amazon or B&H Photo.

Images used courtesy of Canon.

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Thoughts

Are camera guns a lost art?

A little while back, photos of a camera gun made the rounds on all the cool blogs, and people everywhere thought they were new and exciting. How easily we forget… Camera guns — analog cameras and film cameras mounted to gun barrels or provided with pistol grips — were more common in the 60s and 70s than we might think today.

I watched an episode of Columbo last night, entitled “The Greenhouse Jungle”, released 10/15/72 (almost 37 years ago) and in it, Columbo’s assistant pulled out a camera gun that looked even better than the stuff making the rounds these days.

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As he explained in the episode, the device was a “camera-mounted starlight scope”, used “quite a bit at Berkeley for night work”. camera-gun-columbo-episode-2

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Since I can find no modern camera guns, I’m tempted to call them a lost art, perhaps yet another victim of a PC society where everyone’s afraid of everything.

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I think the inspiration for camera guns came from the portable video cameras equipped with a pistol grip, sold around the same time period. They looked like this.

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These last two images came from a site called Atomic Rocket, where they have a whole page dedicated to futuristic sidearms.

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Thoughts

Turning trash into usable products

Ann Wizer from XSProject Foundation (as in “excess”) is making custom-designed bags and other products from non-recyclable plastic waste found in Indonesia and the Philippines. She buys the raw materials from trash pickers, whom she pays at above-market rates, and, using trained artisans, creates beautiful products from trash that would be clogging landfills, streets and waterways in those countries.

Through its work, the Foundation is protecting the environment, reducing poverty, and teaching locals how to sustain themselves through the work of their own hands. The end results are beautiful, as you can from the photos and the embedded video below. The cause is noble, the work is noble, the means are innovative, sustainable and ennobling, and so I think Ms. Wizer and her XSProject Foundation deserve our applause for the wonderful work they’re doing.

Embedded video from CNN
Turning trash into usable products (CNN)

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* I would have linked to their online catalog of products, but at the time of writing this, it seems to be down.

Images used courtesy of XSProject Foundation.

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Reviews

CableJive SoundDock and iStubz cables

Back in 2008, I bought a SoundDock cable from CableJive, which allowed me to connect my 1st gen Bose SoundDock to my Mac. Since we bought our SoundDock, Bose has come out with a 2nd gen SoundDock, which has a built-in auxiliary input, making the cable unnecessary. Still, we weren’t about to buy a new SoundDock when ours was working perfectly well, and with the addition of a cable, we could make it work with our Mac, allowing us to have nice, premium sound.

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I remember looking around for months for a cable that could do the trick. I knew it was technically possible, but no company I knew of made such a cable. Finally, I discovered CableJive. Back then, they were just going into business, judging by their website and lack of customer service. After placing my order, I got no confirmation whatsoever. I had no idea whether they received my order or not. The phone number they listed on the website wasn’t working, and nobody answered my emails. Thankfully, the cable arrived in the mail a few days later, and has been working ever since.

The build quality of the SoundDock cable leaves something to be desired though. The sleeve that fits around the cable at the end that has the thick, iPod-style adaptor is loose, and the plastic that contains the circuits that make the connection with the Bose SoundDock isn’t anchored well into the sides of the adaptor, making it flop around in there. Overall, I’d call the cable flimsy, and considering the price we paid for it at the time ($48), overpriced.

I can only hope their build quality has improved since then, and I’m glad to see that at least they’ve lowered the price to $40. It’s still a hefty price to pay for a flimsy little cable, but like I said, no one else makes them, and if you’ve got to have it, you’ll pay the price or go without.

Now I see they make these iStubz cables, which are basically short sync cables for the iPod and iPhone. The ones that ship with the phone are too long for most people’s needs, cluttering up one’s desk. I like the idea, and I also like the price ($8).

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Now here’s my question: why is the iStubz cable, which is more complicated to make (I assume) than the Bose SoundDock cable, only $8, and the SoundDock cable $40?

Images used courtesy of CableJive.

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