I had read that daytime live composite shots were possible on the PEN-F, in addition to the nighttime shots (which let you capture star trails), so I tried it out today. Because the minimum shutter speed for each frame is 0.5 seconds and the smallest aperture is f8, I needed to use an ND filter to compensate for the abundant daylight, but thankfully the one I had did the trick. Since there are no stars out in the daytime, what you can capture are cloud movements, and what you get are some pretty amazing photos, the sort of which I wasn’t able to capture before. You’ll be able to appreciate the difference once you look at a normal photo of the sky and clouds (see below). The same sky captured with Live Composite looks amazing! I’ve also included photos of a couple of our cats, a few spring flowers and the waning moon. Enjoy!

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Today’s images

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The theme for these photographs is day and night — more precisely, the night that followed that day, which was a beautiful spring day by the way, as you’ll see here. That night I tried capturing star trails for the first time. My PEN-F has a feature called Live Composite, which takes a series of short exposures and stacks them together in the camera, combining only the areas that contain changes in light and displaying the progress as it goes. This means that once you get it going, you can let it capture the star trails by itself, checking in every once in a while to see its progress on the display, which will also show you the histogram. This information updates with each new image, allowing you to get exactly the amount of exposure and star trails you like. It’s a very cool feature, which Olympus launched on their top cameras four years ago. Since I just bought my PEN-F, I only got to use it now, and it’s so cool!

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Today’s images

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We were driving back from Meschen a couple of days ago when I saw these beautiful cloud formations where the light was breaking through the thick cover and creating these beautiful effects that resemble light pouring through cathedral windows. I suspect the reverse is true, which is to say that cathedral architects were inspired by this natural phenomenon when they designed buildings where the light comes in like this at certain times of the day. Enjoy the photos!

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Today’s images

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Thoughts

On the ephemerality of digital publishing

For all the ease of use and low cost of entry of digital publishing, there’s its inescapable ephemeral nature. I’m not talking about digital books, photographs, music and movies, although there’s a lot to be said about those things as well. That sort of distributed publishing puts a copy of your creation on someone else’s device, and is thus more buffeted against the inevitable loss or data corruption that occurs, because copies of your creation will likely survive somewhere. What I want to talk about is this very thing I’m using right now to publish this: my website.

It could be perceived as a contradiction in appearances to talk about how fleeting my website will be as it’s coming up on 20 years of existence (that’s right, my website will turn 20 later this year, after I turn 44). But I’m thinking beyond my lifetime. I’d like the things I write about, the photographs I take, the videos I make, to reach the generations of the future. I know there’s a lot of drivel out there on the web that won’t stand the test of time, because it’s made specifically for the now, to appeal to trends and other passing nonsense, but I don’t spend my time on those things. At least some of the things I write about are likely applicable or useful 50-100 years down the road, and just as I appreciate books, music and movies published 50-100 years ago, I hope my digital creations will be appreciated a century into the future. But how will it get there? How will my website survive 100 years?

In the past, articles were published on paper, books were published on paper, then we had negatives we could look at; books were scanned. Now when we publish posts and articles on websites, exactly how will this electronic (HTML + CSS + Scripts) format make it down the road? If we die and our domain name is no longer paid up, the website goes down. Should we be hosting our site on a platform like WordPress.com, when we stop paying the site domain may change back to the free WP subdomain, some site services will stop working, but the site will continue to stay up, but until when? Does WP have a plan to exist and function well in 100 years? Does any web publishing platform or social network plan to be around in 100 years? Will YouTube or Facebook be around in 100 years? What if they undergo so many changes in the way things get published and shown to the public that my content can no longer be ported onto the new versions of the software, and it gets left behind? Then there’s the basic nature of a business: it needs money to survive. The “freemium” plans of today, where you get some free services but the better ones cost money, aren’t futureproof. At some point, a company decides it’s had enough of freeloaders and switches to all paid accounts.

The thing with a book or a magazine is that once it’s printed, once it’s made, no further effort is needed to “keep it alive”, and this isn’t the case with digital publishing, where once you’ve made something digital, you still need further energy to keep the web server up and running, more energy to keep it patched up and upgraded, more energy to swap out parts that fail, more energy for the internet bandwidth, etc., energy that translates into utility bills, bandwidth bills and man hours, in perpetuity. None of this is needed with a printed book. It just sits in someone’s library and requires no effort and no energy to simply be there, storing its information for posterity, until someone takes it out, blows off the dust and stats turning its pages to read it. The act of turning a page requires little energy. The act of reading and considering the information that you’re reading consumes quite a bit of mental energy, but the same amount would go into reading something digital. So you see, digital publishing may seem easier and less expensive at the get-go, but it turns out to be mightily complicated and expensive to keep going over decades and decades.

Unless you’ve got the foresight to set up a trust with enough financial resources to keep your digital presence (websites, social media accounts, etc.) up and running, chances are you will be digitally defunct soon after you die or, depending on the circumstances of your last years, say a debilitating disease that won’t allow you to carry on your online presence, you’ll be digitally dead years before your actual death.

I know about services such as the Internet Archive. They’re well-meaning and I wish them the best of luck in storing all of the data, but they’re slow on lookups, and they tend to mess up a page’s style, which is kind of like crinkling up the printed pages in your favorite book and forcing you to read them like that from then on.

We need some way to make a site future-proof, to either make the individual articles or posts digitally distributable, or to come up with ways to make web servers consume less resources, much less resources, so that it’s economically feasible to keep a lot of data up and available in the future at much lower costs than today. I know about printing web pages as PDFs, and that’s something, but how many people do that? I want a clean, ad free, well-formatted, digital copy of a post or article made available to me, automatically. Perhaps solid state storage, on optical non-moving media of sorts, is the way that computers might work, so that the data, once written to that media, consumes no power while it’s not accessed, and the power needed to read it from them is insignificant. This way we could afford to prepay to keep our website up for the next 100 years, and it wouldn’t cost a ridiculous amount.

The current model, of paying yearly for a domain name and monthly or yearly for a web hosting package and a site publishing platform that you need to keep upgrading and updating, or else it’s subject to hacking, isn’t futureproof. It costs a lot and it needs a lot of attention — attention and money that it won’t get once someone’s gone.

We need to make it easier, or as digital information inevitably gets wiped out with time, the valuable sites and articles, that ones that might have made a difference in someone’s future life, if only they’d been available to them, do remain available to them, just like a book or a magazine on a shelf.

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Olympus E-330 DSLR
Reviews

My Olympus E-330 DSLR

Wait, didn’t I just post about my E-3? Yes, I did. This is about a different camera that I bought recently, the E-330, which was part of the same EVOLT series of digital cameras — which was itself part of the Four Thirds System (the precursor of the Micro Four Thirds System). The E-330 was launched at the start of 2006, so it pre-dates the E-3 by almost two years. I found this one in almost new condition with a really low shutter count (only around 2000 exposures) and the 14-45mm f3.5-5.6 kit lens, at a really good price. I’d wanted to at least see the E-330 up close and use it ever since I reviewed the E-500, but I couldn’t get a hold of it back then. Fast forward to fourteen years later and now I have it.

The E-330 is such an interesting camera. It was the first interchangeable-lens-type AF digital SLR in the world to offer full-time subject framing via a rear-mounted LCD monitor. That’s right — the ubiquitous tilt-screen or articulating screen that’s a normal feature of mirrorless cameras nowadays was first offered on the Olympus E-330. Also a first was Live View, or what you might now call a live through-the-lens (TTL) display of your subject, so you could either use the viewfinder or the screen. I know you’re used to this kind of thing now, but back in 2006, this was amazing new technology.

There were two modes for Live View. In Mode A, you’d close a flap over the viewfinder and the camera would then focus on the subject matter by itself when you pressed the shutter button, and in Mode B, you could focus manually using the live display and a 10x macro view that allowed you to dial in the focus perfectly.

Mode A
Mode B

The E-330 also featured another Olympus innovation, SSWF (a dust reduction system) that had been introduced in 2003 with the E1 and then perfected with the E-500 and E-300. Having used the E1, E-500 and the E-510 and E-410 back in 2007, I can tell you this dust reduction system worked flawlessly. I never had to remove dust spots from the photos taken with Olympus cameras, while I was always forced to remove them from photos taken with other cameras. Also, this camera had dual card slots (CF and xD) and keep in mind this was not a top of the line DSLR, which is where you’d typically find this feature. Also, (bonus!) it uses the same batteries (BLM-1) as my E-3.

Another interesting feature of the E-330 was (and still is) MF (Manual Focus) Bracketing. This was in addition to WB, AE and FL Bracketing. MF Bracketing would let you select from options for 5-frame or 7-frame series with 1-step or 2-step focus shifting, and the camera would then take that series of frames, automatically moving the focus point bit by bit. This would allow you to do focus stacking in post production, or simply to select the frame that you felt had the best focus point. Nowadays Olympus cameras such as the OM-D series will not only do MF Bracketing, but also do in-camera focus stacking, combining those frames into a single image with better overall focus. This is great for macro photography, where the focus (or the depth of field) can get quite thin, to the point where it’s impossible to get the whole subject (insect, flower) in focus without focus stacking. This next image is an example of this feature.

Notice how the shutter button, front control dial, the name of the camera and the brand inscribed on the pentaprism are all in focus. This could not have been achieved without MF Bracketing and a focus stack in post-processing.

The E-330 also has a pleasing and different design. Even though it’s a DSLR with an optical prism, it has no prism bump on top. It was just so different from other DSLRs of the time. It was this cute little camera with rounded edges and this unusual top. It’s a wonderful thing to behold and to hold in your hand. Yes, it has its limitations, but it’s so well-made and for its time, it worked brilliantly well. I also love that it has a remote control receiver that works with a universal Olympus remote (the RM-1), which allows me to control the camera wirelessly even in Bulb mode. I really enjoyed using it during the last week or so that I’ve had it, and I’ll look forward to using it again and again in the future.

Thanks for reading and enjoy the photos in the gallery enclosed here, they were taken with the E-330.

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