How To

Should I get Canon or Nikon?

I’ve gotten asked this question a few times lately, and it’s probably a good idea to share my thoughts publicly. Here’s an email conversation I had earlier today:

B.T.: “Simply put, is the Canon 30D or the Nikon D80 the best way to go? […] Was about to get the Nikon D40, but then got a piece of advice that said that Canon might be better in the way of sports photography. I’m not sure if this was a “standard” or a perceived notion. Anyhow, now I’m trying to decide between the D80 and 30D. I know once I buy into either the Nikon or Canon “family” I’m pretty much there because of accessories and lenses.

So… what was it that made you choose Canon? I knew you were considering the D200 for a bit. […] But what are you thoughts on overall image quality between the two given the different types of image sensors (CCD vs. CMOS)? And I’ve actually thought of going ahead w/ the D40 as a stepping stone to the D200. To be honest, I’ve been back and forth a few times… but wondered about your opinion. […]”

My reply, with some additional edits:

I’m always hesitant to give brand-specific advice, because what works for me might not work for you. I have not used Nikon DSLRs yet. People that use them love them. By the same token, people that use Canon DSLRs love them as well. And people that use Olympus DSLRs love them too. And Sigma, and Fuji, etc.

What I can tell you is to try out the camera. Inquire locally, perhaps at your local camera shop, and see where you can rent the camera you’re interested in buying, even if it’s only for a day or two. Then rent the camera from the other brand, and compare. Even if it costs you up to $200 for the total cost of renting them, it’s well worth it considering you’ll be spending thousands on the equipment and will own it for several years or more, particularly the lenses.

When it comes to the 30D and D80, I tried out the 30D for a whole month. Then I went to the store and examined the D80 closely. I liked the grip and feel of the 30D better than that of the D80, but that’s just me, and my hands are different from others’.

What I can also tell you is that it seems the Nikon cameras have a little more noise and they lose some of the detail in low light when compared to Canon. But if you plan to use a tripod for longer exposures or a flash — and both of these devices will allow you to use a lower ISO — the difference in photo quality is going to be difficult to see, so don’t hang your entire purchase decision on this issue alone, unless shooting mostly hand held in low light is going to be one of the main reasons you want the camera.

Once you get above a certain level (you graduate from a point-and-shoot to a DSLR), the brand or the camera itself doesn’t matter that much. It won’t be the camera that takes the great photos, it’ll be you. To a certain extent, the lenses that you use will matter more than the camera body. You can get great photos with any brand of camera, provided you know its strengths and weaknesses and know just how to use it.

One last thought: the CCD vs. CMOS sensor arguments are pretty useless all around. Don’t forget, Nikon itself — while praised for its CCD sensors — uses a CMOS sensor for its flagship model, the D2X. It doesn’t matter what sensor is inside the camera, as long as the camera manufacturer uses it well. It seems Canon makes pretty darn good use of its CMOS sensors, while Nikon makes great use of their CCD and CMOS sensors as well. And after trying out an Olympus DSLR, I was pretty happy with their CCD sensor as well (except in low light). The Fuji Pro line has some pretty interesting sensors as well. And Sigma is doing groundbreaking work with the Foveon sensors in their SD line. The SD14 is a pretty amazing camera, and I would have bought it instead of my 5D if its effective resolution wasn’t 5 megapixels. (Note: the SD14’s advertised resolution is 14 megapixels, because it has three stacked sensors at 4.7 megapixels each, but the effective resolution is still about 5 megapixels.)

The point is to find out what works for you, and know how to use it well. You can only do that when you’ve held the equipment in your hand and researched the field thoroughly. It really helps when you sit down in front of a spreadsheet and add up all of the stuff you want to buy: camera body, lenses, filters, tripods, batteries, bags, sensor and lens cleaning equipment, editing software, etc. You’ll quickly find out what your ceiling price is, and you’ll know what camera body and brand you can afford. And if you compare your choices that way, you’ll have the information you need to make an educated, logical choice. The decision will be all yours, and believe me, you’ll enjoy your equipment a lot more that way.

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Events

Unequivocally

This little daffodil was spreading its pure petals back in mid-March, signaling, and unequivocally so, that spring had arrived. This was one of the first days I had my Canon EOS 30D and 100mm macro lens, and that’s when I realized, also unequivocally, that I’d stepped onto new photographic terrain, and didn’t want to go back.

First blush

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Reviews

A tangible argument for working in RAW format

I photograph exclusively in RAW format these days — unless I happen to be using a camera that doesn’t have that capability. This post is a small but tangible example why shooting in RAW is a good thing.

Have a look at the photo below. That’s what happens when you combine dark streets, tall buildings and bright skies. It’s hard to get the exposure correctly, especially if you haven’t got the time to sit there taking lots of photos of the same thing while you adjust the aperture and shutter speed manually. If you expose for the shadows, you get an unpleasantly bright sky, like here. If you expose for the sky, you get really dark buildings, and then you can’t make out the details.

Overexposed sky

Fortunately, I can adjust the exposure of a photo (within limits) after the fact if I shoot in RAW. I can also make tonal adjustments much better than with a JPEG file. Here’s that same photo, post-processed. I only used Lightroom, no Photoshop here. (In case you’re wondering, I also made contrast and color saturation and luminance changes.)

Cafe 123

I was able to recover the highlights and even get a decent amount of detail in the clouds. Yes, you can tell the sky isn’t natural, but hey, it’s a whole lot better than a blown out highlight. And there’s still plenty of shadow detail.

If your camera lets you shoot in RAW, don’t hesitate, take the plunge. Yes, the files will be a little bigger, but you get a ton more creative capability in post-processing. And you don’t have to use Lightroom or Bridge if you can’t afford them. (I know Bridge is free but you need Photoshop or another Adobe app to get it.) Both Picasa and iPhoto will work with RAW files. One caveat about iPhoto: at the time of this post, it does NOT work with DNG files (Adobe’s own RAW file format). It does, however, work with Canon, Nikon and other RAW formats. Your camera may also have come with software that lets you develop and manipulate the RAW files. Get started exploring this new medium — it’s the equivalent of a film negative — and have fun improving your photography!

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Events

A first impression

These are but a few of the first photos I took with my Canon 5D when I got it a few short weeks ago. I got the EF 24mm f/1.4L lens at the same time, and that’s what I used to get these photos. I’m very happy with the 5D and the 24mm. To be able to get photos like these when it’s almost pitch dark out there is a fantastic experience.

I’ll write a more detailed review of the 5D soon, so stay tuned for that. Not sure how much I can add to the multitude of accolades and opinions this camera has already received, but at least I can offer my own personal take.

An eventful day wraps up

Shhh

It’s quiet out here

Calm

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Thoughts

The promise of something better

The wonderful thing about using a fast lens is that you can get photos like this in low light. Sure, the depth of field may be thin because the aperture is maxed out, but it’s very liberating to be able to walk around and take handheld photos without having to do long exposures on a tripod.

The promise of something better

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