Thoughts

You simply can't depend on computers

Take it from someone with 15 years of experience in Information Technology — me. You cannot depend on computers.

Every single time in my life when I’ve had to depend on a computer to help me do something under a tight deadline, some glitch intervened. Something inevitably went wrong. Something didn’t work. I wasn’t able to get things done.

Generally speaking, it’s Windows computers that are more problematic, particularly when it comes to peripherals like printers or drives or USB sticks or webcams or whatever. Apple computers are slightly less unreliable, but I’d still say the same rule applies: you cannot depend on any computer for anything critical.

Need to print something in a hurry? The printer will inevitably not work, or the computer will slow up all of a sudden, or it won’t recognize the printer, or it’ll clam up, or the editing software will start acting up. Need to get to a document on a USB stick? Somehow, the stick will become unreadable. Or maybe it’ll work, but all of the apps on your machine will become so slow that you won’t be able to make the changes in time for the deadline. Need to edit something online? Your Internet connection will go down; if you’re on WiFi, that’ll go down or start cutting out. Or the remote servers will become unavailable even though other websites work just fine. Need to install an app in a hurry? Something will go wrong. Either you won’t have the right version for your OS, or the installer will freeze mid-install, or the site where you need to get the installer will stop working. Have to do a video chat? Guess what, if it’s an emergency, your webcam won’t work, or the chat will cut out mid-speech, or the sound will become garbled. Something will go wrong. It’s a given.

I don’t care if your computer is squeaky clean. I keep my machines that way, and yet I still have problems. There are no viruses, no spyware, no bloatware on my machines, and yet something always goes wrong when there’s a tight deadline involved.

The only way you can circumvent this rule is to have entire server rooms with IT staff standing by at your disposal. Even then, you can be sure that the weakest link in that chain will give, and right at crunch time, something will go wrong.

Take my word for it. I’ve worked in all levels of IT, from help desk up to the director position, and have put together computers and servers and server rooms. It pains me to say this, but after so many years in IT, I have to face the facts. You cannot depend on computers when you’re in an emergency. Don’t count on it. Computers are for entertainment purposes. They’re nice and they wow you when you’re playing around or doing normal stuff. But when it comes time for them to deliver under pressure, somehow they fail. It’s just the way things are. When they fail, and they will fail, deal with it. Try not to get a headache like the one I have right now. Go outside. Take a walk. Breathe deeply. Remember, it will pass.

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Reviews

A Canon repair experience

As I mentioned previously, my Canon 580EX II speedlite hadn’t been working properly with my Canon EOS 5D DSLR since March of 2008. I’d set it in the hot shoe on top of the 5D, as usual, but it would cause the camera not to work at all. The 5D would give me a strange error message where it would display some random settings for the aperture and shutter speed, and the shutter button would not fire.

canon-580exii-speedlite

I tried turning the camera and speedlite on and off. I tried disconnecting and reconnecting the battery. I tried resetting the speedlite in the hot shoe, which sometimes did the trick. Finally, I gave in and sent it into Canon for repairs. That repair ended up costing me a little over $100 plus shipping. The Canon technicians wrote back on the receipt that they’d replaced some cracked part inside the speedlite. Since I never dropped the speedlite or banged it against anything, perhaps that part had been cracked from the get-go, who knows…

Once I got the speedlite back and tried it out, I realized the problem not only hadn’t gone away, but had gotten worse. Now my 5D refused to fire with the speedlite in the hot shoe no matter what lens I used. This was not good, but what puzzled me is that the 5D and 580EX II worked just fine when I used them with the Canon STE-2 wireless transmitter, which sits on the hot shoe and sends a radio signal directly to the speedlite. In other words, the speedlite and camera didn’t work when connected directly, but worked if connected through the wireless transmitter.

I contacted Canon a second time, and was transferred through to advanced support on that call. Once the tech asked me a few questions to pinpoint the problem, he told me this was a fairly common occurrence with the 5D and 580EX II. Apparently, the hot shoe insert for the 580EX II was made just a wee bit thinner than normal, and after normal use of the hot shoe on the 5D, the 580EX II will sometimes not make proper contact with the camera, and will cause it not to fire. That’s why the camera worked with the wireless transmitter, which has a thicker hot shoe insert.

He offered to send me a pre-paid shipping label so I could send both the camera and the speedlite in for repairs, which would now be covered under the previous charge for the repair of the speedlite, as a recurring issue. I sent them in, and when they came back, they both worked as they should, thank goodness. My 5D hot shoe wasn’t replaced though — it was likely just taken off the camera and tightened a bit, which means the problem could re-occur at some point in the future.

I have three bones to pick with Canon about this whole thing:

  1. Why didn’t they make the hot shoe insert for the 580EX II speedlite the right size from the get-go? Why do we, as Canon customers, have to go through this whole thing where we send them in for repairs when it’s not really our fault? I don’t think I’m the only one who’s had this problem. Why not issue a recall where either the hot shoe of the 5D is replaced or tightened, or the hot shoe insert of the 580EX II is replaced?
  2. Related to #1 above, why do we have to pay for this? If it’s a known issue, caused by faulty design, and it happens quite often through normal use of the camera and speedlite, why pay at all? I might be willing to put up with a token fee that covers shipping and handling, but I should not have to pay the regular repair fee for something that was designed to go wrong, so to speak.
  3. Why did my 580 EX II come back from the repairs with what looks like Coke stains on the catchlight panel (see photograph below)? I can only assume the tech that worked on it opened his soda can right next to my speedlite, stained it, and didn’t bother to clean it. I thought the conditions were supposed to be kept sterile in the labs. What’s up with that?

580EX II Speedlite with stains on catchlight

Keep this in mind if you have the same issue with your Canon DSLR. It may not be that the speedlite is defective, it could simply be that it’s not making proper contact with the hot shoe, in which case your options are as laid out above.

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Thoughts

Canon 5D Mark II soft focus due to camera or lens?

I reviewed the new 5D Mark II back in October of 2008, and my decision back then was to wait until they’ve worked out the bugs. It looks like I did the right thing. I’ve been hearing quite a bit lately about focus issues with the camera. It looks like it can’t focus properly. It’s slow to focus, and when it does focus, the images are soft. See this blog post for an example.

I’m still not sure what lies at the root of the focusing problems. People are comparing photos taken with the 5D Mark II against photos taken with the original 5D, but it’s sort of like comparing apples to oranges. To compare images accurately, you’d need to first downsize the resolution of the images from the 5D Mark II to 12.8 megapixels, to make them equal in pixel depth to those that come out of the original 5D. I have yet to see something like that.

I think what’s going on here is that we’re seeing either the limitations of Canon’s 9-point AF system, or the limitations of their lenses, and this is due to the sensor’s increased megapixel count. In effect, all those extra megapixels have run ahead of the camera’s AF capabilities. It’s like a bodybuilder who’s got huge muscles but hasn’t trained his joints. His tendons have remained weak, and sooner or later he’ll tear something.

The thing is, I’m getting soft images with my original 5D, and I get them quite often. Sure, most of the images I get are in focus, but I bet you that if my 5D were able to output 21 megapixels of resolution, those same seemingly sharp images would be just as soft as those that come out of the 5D Mark II.

It could very well be that the 9-point AF system can’t focus properly. It’s just not that good, and its focusing limitations are seen quite well at higher resolutions. In that case, I have a feeling that the 16 megapixel images that one can get with the EOS 50D would also show some soft focus issues. They wouldn’t be as apparent as those found in the 5D Mark II, since there’s a bit of difference between 16 megapixels and 21 megapixels, but they should be there. It looks like some people are noticing a soft focus with the 50D, so there might be something to my theory.

On the other hand, it could be that my lenses, and the lenses of these people complaining about soft focus with the new 5D, need to be sent in for calibration. There certainly are tons of complains about soft images gotten with Canon lenses of all kinds — that’s nothing new. Who knows, if they and I got to send in our lenses, and they got properly re-calibrated by knowledgeable technicians, the images would be sharper.

So there you have it. I’m not sure what to think. I’m leaning toward the side that says the 9-point AF system needs to grow up, but I’m open to suggestions. Perhaps Canon ought to license the 11-point AF system from Olympus. They put it in their E-3 DSLR, which came out at the end of 2007. It’s supposed to be the fastest and most accurate AF system on the market, and it’s meant to work well even in low light. After all, let’s face it, both Canon and Nikon have borrowed the Live View concept from Olympus — they were the first to come out with it. Why not borrow the AF system as well?

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Thoughts

Verizon math

See this video, which features recorded audio between a frustrated Verizon customer and Verizon customer service, whose math skills are below those of a fourth grader. Verizon customer service just cannot grasp the concept of cents and dollars, and the hundred-fold difference between the two, and insist repeatedly that $0.002 equals 0.002¢.

The conversation goes on while the customer tries to explain the difference to them, and why he shouldn’t be charged what he was charged on his bill, given the advertised price, but the Verizon rep, and then a Verizon floor manager, just cannot get it. The customer got the equivalent of blank stares in spite of repeated explanations. Question is, should those reps be allowed to work in the billing department at Verizon when they have little or no math skills and lack the mental capacity to learn such skills when they’re explained to them?

Is it any wonder I (and countless other people, I’m sure) had billing problems with them when I wanted to terminate my service last year?

[via Hacked Gadgets]

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Thoughts

Our economy: a very distinctive photoplay

I found this photo of a truck advertising the Rialto Theatre on Shorpy. What perked my interest was the juxtaposition of the truck in front of the US Treasury Building. Although the photo was taken in 1925, it’s somehow applicable to our times.

Rialto Theatre truck in front of US Treasury, 1925

Doesn’t it seem strangely non-coincidental that a photoplay/movie truck would find itself in front of the Treasury building, particularly when you consider what economic times we’re living in? I for one have been feeling like we’re watching a theater performance every time I turned on my TV in recent months. Politicians and government employees and suits from the Federal Reserve (which is separate from the US government) and CEOs have all paraded in front of the cameras and wept for the state of our economy when they themselves were at fault for its state. They’ve been crying crocodile tears and promising to make it all better, and we sat there mesmerized, hoping for a savior.

We had the drama of the economic downturn, then the drama of the election. The first act is over. Now we await the second act, which includes a bonus appearance from a fantastic pork-barrel stimulus plan guaranteed to make all the Washington hogs cry out for joy. I don’t want to spoil the plot, so I won’t tell you what I think of it, but it’ll involve a lot of work from the US Treasury building in the photo above. They’ll need to print a lot of Monopoly money to finance it all.

At any rate, this is what I think of the economic crisis. And this is what I think of the way companies are treating their employees nowadays. Finally, this is what I think of the problems car companies are having. Call me the guy from the nosebleed seats who thinks the show sucks and keeps throwing peanuts at the performers. Maybe I’ll get booted from the theatre, but at least I’ve spoken my piece.

Just remember, there will be a third act…

Photo used courtesy of Shorpy.

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