Thoughts

What cartoons are your children watching?

This is a question I keep asking myself every time I turn on the TV and look at the Cartoon Network, or The Disney Channel, or Nickelodeon these days. It’s unbelievable how much thoughtless, cheaply made programming they shove into their slots, with little or no thought for substance, style, quality and most of all, for values.

Just like most foods you can buy at the store these days are made up mostly of fillers and devoid of nutrition and natural goodness, most cartoons on TV are nothing but patina, a modicum of presentation pulled over a steaming pile of dung.

The Disney Channel is in the most shameful state of all. They have a legacy to live up to. They have a heritage, which is something no other channel has. Back in the early 90s, when I came to the States, The Disney Channel was way up there on a pedestal in terms of programming quality. It was heaven for a boy with a hunger for good cartoons.

Now, it’s 95% garbage. They’ve got terrible live-action shows geared solely toward filling programming slots and selling merchandise and hurriedly-done computer-animated cartoons.

What happened to shows like Duck Tales, or the Rescue Rangers, or Tale Spin? What happened to the old cartoons with Mickey Mouse, Pluto, Daffy Duck and the rest of the gang? Aren’t there any people who still have good ideas at Disney’s TV subsidiary? There are obviously very talented people at Pixar, where great movies still get made. Can’t Disney recruit some more people like that? They’ve obviously got the money, since they just spent $4 billion on Marvel. Only a small fraction of that money would go a long way toward turning around The Disney Channel.

Overall, the industry is in decline, precisely because they’ve been focusing on quantity, not quality and substance. They’re trying to spend as little money as possible and churn out as much footage as possible, without any foresight or real planning about a show’s direction, character development, plot, dialogue, character animation (movement, drawing style, aesthetic appearance, etc.), progress (generally, if characters are doing something or striving to achieve something, progress or setbacks toward an overarching goal ought to be achieved with each show), and most of all, since these cartoons are shown on children’s channels, they ought to be kid-friendly, they ought to promote good values, and they ought to appeal to one’s artistic sensibilities.

As for those who give these shows the go-ahead, I can only describe their approach as auto-pilot. They’re throwing stuff at a wall in order to see what sticks, and instead of trying to figure out why stuff doesn’t stick, they’re looking for more stuff to throw. They care little about any of the things I mentioned above. They care about filling slots, preferably with stuff made by people they know, and about selling ads during those slots. They’re trying to hock merchandise instead of realizing their jobs involve a much higher responsibility than that of a vendor at the local flea market. They ought to care deeply about what they put on the air, and instead of examining the merchandise they’re selling through the critical lens of someone who is helping shape young children into responsible, caring, sensible adults, they’re looking at these cartoons as a means to an end — the end being solely the channel’s bottom line.

What they don’t realize is their revenues are decreasing not because they need more live action shows on a cartoon channel, or because less people are watching TV because they’re spending more time on the internet, or because they need to spend less money and cut more corners — they’re decreasing as a direct result of the crap they are putting on TV. If only they took their time to find quality cartoons and filled their programming slots with them, they would see revenues and ratings increase, not to mention that we’d have happier, healthier children all around.

You may ask yourselves, how do I find good cartoons when the good offerings are so slim? I outlined a few good rules of thumb in this post. The most important part is that you should use your good judgment to find shows that are worth watching. Don’t give into popular opinion or into what kids may ask for, because at younger ages, they need guidance. They’re not ready to save the world, in spite of what’s portrayed in run-of-the-mill cartoons. Ask your friends, or go online to sample what’s available in stores. Go to YouTube and look for video clips from quality cartoons you can purchase, or if you hear of a good cartoon show that’s not televised, go to their website and see if they show clips. Now, more than ever, there’s real choice, because you’re not limited by what’s on the TV channels, and it’s so easy and affordable to get to the good stuff if you only put a little effort into it.

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Thoughts

Three psychics exposed as frauds

I’ve always thought and said psychics were fake, along with ghost stories. Sure, it makes life (and books) more interesting if a ghost pops up here and there, but unfortunately, when people die, they’re dead as doornails. They’re gone. Out for good. Goodbye. That’s why life is so precious. Every day must be spent carefully and cherished, because when our days are over, they’re over.

That’s why it’s great to see psychics exposed as the frauds they really are, as one BBC show did, recently. The host made up a fake story about some chocolate factory manager, printed it in a leaflet about the factory, and also put it up on the factory’s website. When the psychics were invited to the factory and asked to channel any ghosts that might be around, they all “somehow” picked up on the fictitious manager’s ghost. When they were told the ghost was fake, each did their best to cover up for their slimy behavior and slinked off camera to lick their wounds. Disgusting.

BBC 3 Bullsh!t detector exposes three mediums [via Boing Boing]

As for questions about what really happens in the afterlife, or if there is one at all, see item #26 on this page. That’s what I believe, and whether it makes sense to you or not, please note the explanation includes no ghost stories.

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Reviews

Warehouse 13

Did you hear about Warehouse 13, the new series that premiered on the Sci-Fi channel recently? I caught the pilot episode on iTunes (it’s free btw, so grab it while you can) and would like to see more. I’ll let the official website and trailer for the show do the explaining. All I’m going to say is that I love Artie’s steampunk keyboard. Nice touch.

warehouse-13-cast

warehouse-13-steampunk-keyboard

http://www.youtube.com/watch?v=T1iT41eeWdY
Official Trailer for Warehouse 13

http://www.youtube.com/watch?v=PpTPrhWzDnk
Warehouse 13 Sneak Peek

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Thoughts

Glad to see Nabaztag is still around

It’s coming up on three years since my original review of the Nabaztag. In 2006, it was just getting introduced to the US market. It was a new product from France, and the editors of the “I Want That! Tech Toys” show on HGTV approached me to see if I wanted to review it. I said yes, because the concept intrigued me, and I wasn’t disappointed. I thought it was a pretty cool gadget, in spite of the learning curve involved in setting it up.

nabaztag-1

nabaztag-2

A few months after being taped, the segment featuring the Nabaztag aired on HGTV. The rabbit did just fine, but I was way too serious. Note to self for the next TV interview: lighten up!

In December of that year, Violet (the makers of the Nabaztag) launched the new Nabaztag:tag, which could read RFID tags, had a built-in motion sensor, and could do a bunch more things. Since then, they’ve been busy improving the Nabaztag experience and introducing new things, like the Mir:ror, an inexpensive RFID reader ($50) that works in conjunction with RFID stamps (they call them ztamp:s) to do all kinds of neat things, like tell you the weather, update your Facebook status automatically, read books to your children, etc.

I have to say the new Nabaztag:tag looks a lot better than my original 1st gen Nabaztag. It has a shiny white finish and a better user interface. It’s probably easier to configure, too. I had some issues getting mine to go on the Internet back when I did the original review, which were thankfully sorted out.

All in all, I’m glad to see a product I reviewed and found cool is still around. Kudos to Violet!

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Reviews

The Raccoons

I recently re-discovered a show I used to watch and love as a kid: The Raccoons. I can’t remember if I saw it in the US or in Romania as I grew up, but I remember the characters quite well. My wife remembers watching the show as a child, too. Now, thanks to Boomerang, I can watch it once again.

The Raccoons

What I like about it is the stories, which always have a nice lesson in them for children, and the show’s setting — a beautiful evergreen forest somewhere in the mountains. The characters, though odd at first, get to be quite likable as you watch the show regularly.

When I was little, I didn’t really care who created the show — I only wondered why the main characters had to have big, bent noses, and why Bert and Cedric had such whiny voices. Now that I’m older, I still wonder about the noses and the voices, but I also want to know who is responsible for creating this wonderful show and bringing it to market. One name pops up time after time in the show’s credits, as producer, director and writer: Kevin Gillis.

Kevin Gillis

Kevin Gillis - creator, producer, director and head writer for "The Raccoons"

As you can see, he looks like a normal human being. I wondered about that… He doesn’t have a huge, bent nose, so I don’t know why he chose to make the characters that way. And since I haven’t yet heard his voice, I don’t know if it’s whiny, like Bert and Cedric’s. I guess that’ll have to wait. In the meantime, I’m glad I can watch “The Raccoons” once more.

If you have children, please know that I highly recommend this show. If you have Boomerang where you live, or have another channel where it’s being shown, then definitely tune in and enjoy it. If you don’t, the store pickings are unfortunately fairly slim. The DVD production is discontinued for now. At leat YouTube has quite a few video clips from various episodes available.

Images used courtesy of Breakthrough Films & Television. There’s more info about the show on IMDB and Wikipedia.

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