We upped our game for this episode of Ligia’s Kitchen and filmed it with five cameras. It was a bit nerve-wracking but the end result was worth it. Bon appetit!
This is a timelapse video shot in the Bucegi mountains in Romania in spring (14-15 march 2017), more specifically in Fundățica village, Brașov county. The Bucegi mountains are part of the Carpathian Mountains and yes, they are near Bran Castle, which we all know from Bram Stoker’s novel, blah-blah-blah, vampires, blah-blah, winter snowstorm, nightfall, blah-blah, blood-sucking and all that jazz, yes, this text is intentional, hope you find it as funny as I do.
We need to focus our efforts on finding more permanent ways to store data. What we have now is inadequate. Hard drives are susceptible to failure, data corruption and data erasure (see effects of EM pulses for example). CDs and DVDs become unreadable after several years and archival-quality optical media also stops working after 10-15 years, not to mention that the hardware itself that reads and writes to media changes so fast that media written in the past may become unreadable in the future simply because there’s nothing to read it anymore. I don’t think digital bits and codecs are a future-proof solution, but I do think imagery (stills or sequences of stills) and text are the way to go. It’s the way past cultures and civilizations have passed on their knowledge. However, we need to move past pictographs on cave walls and cuneiform writing on stone tablets. Our data storage needs are quite large and we need systems that can accommodate these requirements.
We need to be able to read/write data to permanent media that stores it for hundreds, thousands and even tens of thousands of years, so that we don’t lose our collective knowledge, so that future generations can benefit from all our discoveries, study us, find out what worked and what didn’t.
We need to find ways to store our knowledge permanently in ways that can be easily accessed and read in the future. We need to start thinking long-term when it comes to inventing and marketing data storage devices. I hope this post spurs you on to do some thinking of your own about this topic. Who knows what you might invent?
I recorded this over the course of two days (12-13 march 2017) in Bucharest’s Sector 1, with a very nice view of Herastrau Park, courtesy of our hotel room at the Pullman. We were there for our spring expo. Enjoy!
In this follow-up to my post entitled “Stewardship or possession“, I talk about the care of our bodies, which in a way are our ultimate possessions. How do we and how should we regard and care for our bodies? We each only get one body during our lifetimes. How do we want to spend our last years of life? As invalids, caught in a painful, dreary existence or as vibrant individuals who are still able to move around, spend meaningful time with others and travel to see the world?
It’s high time we were able to come home and place our mobile phones in a dock that’s connected to a display, keyboard and mouse, and have it turn into a full-fledged desktop and laptop replacement. Mobile phones have sufficient computing power for most of our needs, they have the apps most of us use on desktops as well, and there are incredible energy savings to be had. Hardware manufacturers need to start making sincere, concerted efforts toward this end.
You may also want to read through this post of mine, where I tried my best to use a tablet (an iPad) as my main computer, only to be frustrated to no end by the lack of common ammenities and functionalities we’ve come to expect on desktops and laptops, simple things such as the use of a mouse, drag-and-drop functionality between folders, a finder/file explorer and the ability to easily access drives and files on the network.
I realize that people who engage in heavy computing on a daily basis, such as 4K video editing, 3D graphics and 3D video rendering, large-scale CAD projects, serious coding that requires powerful compilers and other such tasks, will still need very powerful desktop computers and even small server farms in order to do their jobs and I am in no way suggesting that they start using mobile phones to do their work.
We simply have to acknowledge that the majority of the population that uses computers can do just fine with the computing power of a mobile phone. I’m talking about the people who mostly check their email, use social networking sites and apps for social networking sites, plus some online banking and take casual photos and videos. What if all those people were able to use their mobiles phones as replacement desktops or replacement laptops? Wouldn’t that be a significant cost savings to them?
Looking at the greater picture, if all those people, or at least a significant portion of them did this, wouldn’t that translate into significant energy savings for cities, counties, states and countries? Aren’t we always talking about reducing our carbon footprint? Well, instead of using a laptop that consumes about 60W when plugged in, or a desktop that eats up about 200W, give or take, why not use a mobile phone that consumes 3-5W when plugged in?
What’s the healthier, saner way to view that which have or enjoy?
Should you regard it as a possession or should you see yourself as a steward of it? What’s the better long-term approach to these matters? Join me for a (non-religious) discussion of the subject in this video. I’ll talk about various topics related directly to this subject, such as the relationship between husband and wife, one’s home, business and other “possessions”, such as cars, furniture, clothes, etc.
I hope this helps you!
Here is a 1950s Fero Antimagnetic watch with a 15 rubis Ebauche Bettlach (EB 1343) movement and a peripheral second hand. The dial is exquisitely designed, with guilloche reliefs in the shape of circles and solar rays and a hexagonal star in the center. I call this an early version of a skeleton watch, because it’s sealed between two panes of plexiglass. You can see the movement when you turn it over and you can also see through it.
The downside to this is that I cannot open the watch because the seal (which accords it a certain resistance to water and most definitely to dust) will be broken. The upside is that the plexiglass modulates the ticking of the movement, making it softer and more interesting. This effect can also be seen when the watch is wound, and you’ll be able to hear both those processes in the video.
You can tell this watch was loved, because it’s well-worn. The gold plating is barely visible anymore but in spite of all the wear, there are no significant scratches on it. This means its previous owner(s) wore it a lot and cared for it.
The movement ticks at 18,000 beats per hour and it has a power reserve of 37 hours. The diameter of the watch is 37 mm and the distance between the lugs is 18 mm. The movement itself has a diameter of 25.6 mm and is only 4.2 mm thick.
The Fero brand, trademarked in 1959, belonged to the Fero Watch company, founded by Roger Ferner as Fero & Cie. before WWI in La Chaux-de-Fonds, Switzerland. The Fero name actually comes from its founder and is made up of the first two initials of his two names (FErner ROger). Fero also made watches with the following names: Feldmann, Ceneri, Farad, Ferio, Hello, Legation, Maloja, Pantheon and Tango.
Fero did not manufacture its own mechanisms. Instead they purchased and installed movements from some of the best Swiss watchmakers such as Anton Schild, Bettlach, FHF and others. They did design their own watch cases and their designs were quite distinctive, as you can see here. Fero watches are quite rare these days and it’s fairly difficult to find one in as good a shape as this one. I know, because I found another, likely older than this one, whose bezel and case are completely corroded, so I’m not sure how I’m going to restore it.
I hope you enjoy the video and the photos!
Here’s my take on the subject of men’s clothes. I realize I’m going against current trends with this view, but thanks to my recent experience with severe back pain, I’ve gained additional insights into the effects that clothes have on our posture, our bodies and ultimately our health. I know and I have seen first-hand how some clothes can provoke back pain and others can relieve it, and that’s what I talk about in this video. I hope it helps you!
We recently purchased an ornate Baroque wall clock which was working perfectly fine at the store. When we got it home and put it on the wall, we discovered that the crystalline chime it makes each half-hour had disappeared. I assumed that it was a minor issue, so I opened it up carefully, after which I discovered that the hammer which struck the bell inside the mechanism had gotten stuck during the transport. After I got it unstuck, the clock started chiming again. Not an earth-shattering discovery but we were happy. Here’s a look at the process:
After working with this setup for over a year, I wanted to share it with you, having gained full knowledge of its advantages and disadvantages. It is what works for me at this time, in my particular situation, but it may help you as well, if like me, you make your own videos and don’t have a team working behind the scenes.
This 3-4 camera setup is what I use to film my wife’s shows: Ligia’s Kitchen and De Vorbă cu Ligia. For my own videos I use a more basic 1-2 camera setup, since I have to be both in front and behind the camera.
Let me state the advantage and disadvantages first and then I’ll give you the exact list of equipment.
- The big iPad displays allow for proper framing, focusing and exposure control. I always disliked those tiny screens on DSLRs and video cameras.
- The iPads have big batteries (except for the iPod Touch) that allow for hours of filming.
- The featherweight iPod Touch can be mounted in all sorts of unusual spots (including overhead).
- Live viewing and control of the video feeds (things such as focus, exposure, white balance), including instantaneous switching between the feeds, from a master iPad. One person can manage all of the cameras at once. This setup allows up to four angles at a time.
- Lightweight, small and highly portable setup.
- With the aid of dedicated apps, you can get very good control of the video quality and look, right in the camera, without having to resort to a lot of post-editing.
- Video quality isn’t on par with what you can obtain from a good DSLR with a good lens or better yet, from a dedicated, professional video camera. The dynamic range isn’t there, the noise levels are fairly high, the focus isn’t crisp enough. What you’ll need to do to compensate is to make sure your lighting is as good as you can get it.
- The battery life of the iPod Touch is terrible. Have an external power source (plug or power bank) readily available if you need to record more than 30-45 minutes of video.
- Also, the iPod Touch has a much slower processor than the iPad, so don’t attempt to use it as a master controller or for video editing. Use it only as a slave camera and be prepared to wait for good, long times when it updates itself with new Apple software and apps.
- The on-camera (iPad Air and iPod Touch) microphones don’t offer good sound. The iPad’s microphone is passable from a close distance when nothing else is available, but that of the iPod Touch sounds tinny, no matter the situation. Use shotgun, dedicated or lavalier microphones for better sound.
- You’ll need good WiFi signal in the room where you’re recording video, if you’re going to want to manage the video feeds from each iPad camera on a master iPad.
The equipment list:
- 4 iPad Air units: mine are 128 GB first-generation models, I got a great deal on them at B&H Photo about 1 ½ years ago, I think they were old stock and they were making room for the 2nd generation iPads. I went for the largest capacity available because I wanted to be able to record lots of video without needing to stop and download. It just so happened that they also had 4G LTE, which was a nice plus. It was the right decision.
- 1 iPod Touch unit: I got this because it was small and I wanted to use it for overhead angles, where a heavy camera might fall on my head. I didn’t want to use my iPhone, just in case it ever fell from its rigging. (An iPod is cheaper to replace than an iPhone.) It was the right decision. The short battery life and slow performance were unexpected and disappointing, but it does its job when needed.
- 5 iOgrapher cases for the iPads and iPod Touch: check out their website, they keep working on their cases and have developed new ones to fit the new gadgets from Apple. I love their cases because they work both handheld (they have two big handles on each side) or mounted on a tripod. And they have mounts for external microphones and lights, right on top where they’re needed.
- 5-6 iOgrapher lenses: I use a mix of Telephoto and Wide Angle lenses made for the iOgrapher cases, they use a 37 mm mount. They’re not pro-level lenses and they have a bit of distortion and chromatic aberration around the edges, but they’ll do the job.
- 2 Rode smartLav+ lavalier microphones. This is where our iPhones are useful. We put them on Airplane mode, plug these mics into them, start up the Voice Memos app and slide them in our pockets. We get to record great audio with little fuss.
- The following iPad/iPod Touch/iPhone apps: the built-in Camera app that comes with iOS, RecoLive MultiCam and Filmic Pro.
- 1 or more video lights. There are a ton of options here. We use this one. Its advantage is that it comes with interchangeable color filters that shift the temperature of the light.
- 2 or more softboxes mounted on C-stands for each set.
- 1 hair light such as this one. I mounted it on a C-stand that I extended to its maximum height and lateral length. You may need to use some sandbags to stabilize the stand.
- We also use the room’s own lighting for effect and illumination. I tend to use cold temperatures for the studio lights (white CFLs and LEDs) and warm temperatures for the room lights. I know people say you shouldn’t mix light colors when you’re shooting video or photos, but I like it. When they’re mixed the right way, they give me a “live” white balance, an in-studio “look” for my video, which is better than doing it in post.
If you have any questions or if I’ve forgotten to mention anything, let me know in the comments. I hope this helps you!
One of the things I know to be true, because it’s proven itself to me time and time again, is the value of my relationship with Ligia (my wife). I knew it to be true as soon as I met her. My heart told me so, in pretty clear terms, that if I didn’t connect with her, if I didn’t make it work with her long-term, it would be something I would regret for the rest of my life. The heart will do that — talk to you at crucial times — but you have to listen. You have to be in a state of mind where you’re looking for guidance. Both my wife and I were in that state of raised awareness, so to speak, when we met, and we both felt that we were made for each other, even if we hadn’t yet gotten to know each other.
I told you that in order to set the scene. Fast forward 14 years and my wife and I are happily married. More than that, we know we can trust each other implicitly. We can rely on each other implicitly. We think alike. We share common goals and visions for our life together. We share everything with each other: what we’re thinking, feeling, planning on doing, finances, expenses, etc. We work together. We form the perfect team and it’s this concerted effort, this uniting of two beings, that multiplies the effect of our united actions, so that it’s not just x2, it’s more like x3 or x4. I guess one word for it would be synergy. A year or so ago, we were told by a Russian shaman that we were true soulmates, which is apparently something quite rare in the world. We didn’t seek this piece of knowledge, it came out serendipitously as we were inquiring about something else.
I believe our relationship grew to be so for two reasons: (1) we both wanted it to be this way and we made concerted, persistent efforts over time to get it to this point (we’re aware that this is an ongoing project) and (2) we shared a lot of common ground from the start. You know the old saying, “opposites attract”… well, long-term that’s not really true. You need a lot of common ground so that you stay together over time, otherwise the relationship and the bond between you will get pulled in different directions. Instead of naturally pulling together, you’ll waste a lot of effort and time just trying to stay together and you won’t be able to accomplish the goals you want to achieve as a couple, or even the goals you want to achieve as a person.
Now don’t take my words as golden rules. I’m not trying to pose as an expert here. I’m talking strictly from my own experience and as I stated here, my experience with women is limited and before I met my wife, it was mostly painful. This is what works for my relationship with Ligia. Your experience may vary. With that in mind, here’s a video I made on this very subject. I spoke from my heart and I hope it helps you.